#Jordan peele twilight zone code#
#Jordan peele twilight zone tv#

#Jordan peele twilight zone code#

Ling is out for some gene-splicing action: She wants the octopus so she can crack its genetic code and make a super-specie of Octo-humans. She’s also there to harvest the octopus, but not because she works for a pharmaceutical company. This makes watching the last ten minutes of the episode wonderful because as the Octopus starts picking-off the surviving members of the crew, you’re mind is actually racing: How is this going to play out? Is everyone going to just get killed? Is Ling just going to become friends with the murder-puses, and we’ll get a closing narration that this is basically what humans deserve? But, if we’re using the Alien analogy, Ling becomes this story’s Ripley, the one person we think is going to survive, but instead of trying to fight the monster, she’s actually trying to help it. Unlike everyone else on this mission, Ling seems to legitimately care about studying underwater life. The stakes of this episode are made exceptionally interesting when scientist Ling (Michelle Ang) realizes what her cohorts are up to. The Twilight Zone: Jimmi Simpson On Listening to the Voice in His Head By Ryan Britt In real life, this trait exits in something called the Glass Octopus, but the tentacled monsters in this episode are much bigger and much meaner. Turns out this octopus is capable of turning straight-up invisible. So yeah, just like the Nostromo was actually sent to pick-up the alien in Alien, these people were actually looking for a murderous octopus. But it turns out that Rudd, along with crewmember Channing (Nadia Hilker) are not down here to help animals, but instead, to capture a specific type of octopus and harvest it for a pharmaceutical company called Troxell. Why is this the plot from Alien? Well, in theory, a guy named Rudd (Joel McHale) is leading a team of researchers who are investigating displaced underwater creatures that have generally been screwed-over by climate change. Does The Twilight Zone exist in an episode of The Twilight Zone? Thankfully, you don’t have to think about that too long, because pretty soon the plot from Alien takes over and things start to get exciting. Yes, that’s Rod Serling’s voice, but the crew isn’t watching an old Twilight Zone, it’s the narration Serling recorded for the 1968-1975 American version of The Undersea World of Jacques Cousteau, better known to many of us as The Life Aquatic, only real.

#Jordan peele twilight zone tv#

While a group of underwater researches on a near-future sealab is hanging out, some of them are watching something on TV about sharks. Part of that is the sneaky way a Rod Serling opening narration is snuck into the prologue. Written by Glen Morgan, a producer on the new Zone, and veteran of The X-Files, the script for “8,” clocks in at a tight 30-minutes, and will certainly remind even the most casual Twilight Zone fan of something familiar. What makes this episode so interesting, is you think to yourself: “This can’t just be a story about an Octopus trying to kill everyone, right?” Except, that’s exactly what it is. In other words, you’re terrified, but also kind of rooting for the monster on some level. The sixth episode of season 2 of the new Jordan Peele Twilight Zoneis what would happen if the sea monster story was merged with the original Ridley Scott-directed Alien. Great underwater fiction comes with scary sea monsters, at least nine times out of ten. James Cameron’s The Abyss isn’t called The Lovely Abyss. Everything else that happens underwater has the potential to be packed with the stuff of nightmares. Off the top of my head, the only sci-fi premises that aren’t automatically horrifying are the ‘90s show seaQuest, or my three-year-old daughter’s favorite TV Show, Octonauts. Science fiction that happens underwater almost always become horrifically scary, really fast. This Twilight Zone review contains spoilers.